Interesting article about using science and tech with art in a natural landscape.
“I listen to a place, record its sounds and then look for the empty spaces. I put the music in the gaps,” said Hugh Livingston, a sound artist, explaining his new sonic landscape commissioned by Dumbarton Oaks in Washington, D.C. His approach fits with the “niche hypothesis,” which posits that all species in a biological environment seek out their own frequency niche to communicate in so they don’t compete with each other. Like other living things, Livingston said, “I don’t compete with nature. I complement.”
For his new installation, which is called The Pool of ‘Bamboo Counterpoint,’ Livingston miked the landscape, capturing sounds night after night to use in his sound piece. He discovered “sirens are going all night; air traffic is continuous.” He also recorded parts of Stravinsky’s Dumbarton Oaks Concerto on an old Steinway at the museum. There…
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