From Material World:
Details of some of the objects shown in Assembling Bodies. © MAA.
How do we know and experience our bodies? How does the way we understand the human body reflect and influence our relations with others?
Assembling Bodies: Art, Science & Imagination is a major interdisciplinary exhibition at the Museum of Archaeology and Anthropology (MAA) University of Cambridge, open from March 2009 to November 2010. Curated by Anita Herle, Mark Elliott and Rebecca Empson, the exhibition explores some of the different ways that bodies are imagined, understood and transformed in the arts, social and biomedical sciences. They displays showcase Cambridge’s rich and diverse collections, complemented by loans from national museums and exciting contemporary artworks. It brings together a range of remarkable and distinctive objects, including the earliest stone tools used by human ancestors, classical sculptures, medieval manuscripts, anatomical drawings, scientific instruments, the model of the double helix, ancestral figures from the Pacific, South African body-maps and kinetic art.
The idea of assembly evokes two distinct but overlapping themes that underlie the exhibition. Jim Bond’s kinetic sculptures illuminate one notion of assembly – the process of putting something together, of creating something new from component parts. Positioned at the entrance to the gallery, Atomised (2005) (below) is triggered by the movement of visitors into the gallery. An openwork human figure is pulled apart and put together by external telescopic ‘arms’.
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Atomised. Jim Bond. Animated Sculpture, 2005