The Art of Science

Exploring the connections between art, technology, literature, and science

Gone next week December 4, 2009

That’s write, art and science lovers. I will be out patrolling the west coast next week, and doubt I’ll have time to post much. Plus, I have my second annual SPIE ART SHOW happening today, so I am swamped!

But as a consolation prize, some mini art of microbes for you:

Check out the whole slideshow.

As the head of the Institute for the Promotion of the Less than One Millimetre, van Egmond has created the Micropolitan Museum of Microscopic Art Forms, an online gallery of all creatures tiny and tinier. To gather his collection, van Egmond sampled organisms from anywhere he could find water, scooping up critters from urban puddles and country ditches as well as the ocean. From desmids to diatoms, he captured all the stunning features of these normally invisible creatures using a standard light microscope.

 

Physical therapy through dance December 3, 2009

Filed under: biology, music — scientiste @ 8:58 am
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I read this article almost a week ago, but am only posting it now; an actor with cerebral palsy has made dramatic improvements of his body control through dance. Go art!

Gregg Mozgala, a 31-year-old actor with cerebral palsy, had 12 years of physical therapy while he was growing up. But in the last eight months, a determined choreographer with an unconventional résumé has done what all those therapists could not: She has dramatically changed the way Mr. Mozgala walks.

In the process, she has changed his view of himself and of his possibilities.

Mr. Mozgala and the choreographer, Tamar Rogoff, have been working since last winter on a dance piece called “Diagnosis of a Faun.” It is to have its premiere on Dec. 3 at La MaMa Annex in the East Village, but the more important work of art may be what Ms. Rogoff has done to transform Mr. Mozgala’s body.

“I have felt things that I felt were completely closed off to me for the last 30 years,” he said. “The amount of sensation that comes through the work has been totally unexpected and is really quite wonderful.”

Read the full article

See a video of the rehearsal of the dance piece Mozgala will be performing.

 

Burning Man <3's evolution December 2, 2009

Filed under: architecture, biology, communication and networking — scientiste @ 8:36 am
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I even had a couple of friends go to Burning Man this year, one of them a graphic artist, and yet somehow I missed the awesome poster. Thanks Bioephemera!

Burning Man 2009, by Corey and Catska Ench

 

Da Vinci strikes again December 1, 2009

I saw a version of this exhibit earlier this year in San Jose, CA, and it is awesome! There are robots (yes, robots), giant horses, science experiments, and other amazing thought exercises on display. Da Vinci was truly a successful explorer of art and science.

Leonardo da Vinci’s Workshop, an exhibit now open in New York, features life-size models of the great inventor’s machines, including his Mechanical Lion (pictured), weapons of war and flying machines.

The replicas were re-created from Leonardo’s personal notebooks, or codices, using authentic materials, according to a press release about the exhibit. Touchscreen-powered interactive exhibits let visitors “build” Leonardo’s brilliant machines themselves, translating more than 500 sketches from Leonardo’s Codices into 3-D models.

High-resolution digital images of some of the artist’s masterpieces, pre- and-post restoration, offer a new look at the famous paintings. For instance, in The Last Supper, a salt shaker that appears to have been knocked over by Judas can be seen on the table.

Read the full article from Scientific American.

 

Listening with our skin November 30, 2009

Filed under: biology, music — scientiste @ 11:59 am
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People usually think of hearing exclusively done through the ears. Now, scientists are finding we also hear with our skin. I wonder if this helps explain why live concerts are so much fun.

Scientists have known for years that we also hear with our eyes. In a landmark study published in 1976, researchers found that people integrated both auditory cues and visual ones, like mouth and face movements, when they heard speech.

That study, and many that followed, raised this fundamental question about speech perception: If humans can integrate different sensory cues, do they do so through experience (through seeing countless speaking faces over time), or has evolution hard-wired them to do it?

A new study that looks at a different set of sensory cues adds to a growing body of evidence that suggests such integration is innate. In a paper in Nature, Bryan Gick and Donald Derrick of the University of British Columbia report that people can hear with their skin.

The researchers had subjects listen to spoken syllables while hooked up to a device that would simultaneously blow a tiny puff of air onto the skin of their hand or neck. The syllables included “pa” and “ta,” which produce a brief puff from the mouth when spoken, and “da” and “ba,” which do not produce puffs. They found that when listeners heard “da” or “ba” while a puff of air was blown onto their skin, they perceived the sound as “ta” or “pa.”

Dr. Gick said the findings were similar to those from the 1976 study, in which visual cues trumped auditory ones — subjects listened to one syllable but perceived another because they were watching video of mouth movements corresponding to the second syllable. In his study, he said, cues from sensory receptors on the skin trumped the ears as well. “Our skin is doing the hearing for us,” he said.

Read full article

 

Mind of an actor November 25, 2009

Filed under: biology, medical imaging — scientiste @ 2:09 pm
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Just a heads up I will not be posting over Thanksgiving weekend.

For now, a cool article from the BBC about the Neuroscience of an actor’s mind.

Excerpt:

For an actor, the performance conditions weren’t exactly ideal: flat on her back in a large machine, under strict instructions to lie as still as possible, speaking in short bursts interspersed with the shrill sound of a magnetic resonance imaging scanner.

But last week Fiona Shaw, one of Britain’s leading actresses – who has in her time played everything from the tragic heroine Medea to Shakespeare’s Richard II – volunteered in the cause of science to spend an hour having her brain scanned while “acting”.

 

Latest from Science Gallery: Evolvaphone November 23, 2009

27:11:09 at 18:00
EVOLVAPHONE WORLD PREMIERE

Join the world premiere of the Evolvaphone – a new collaboration between composer George Higgs and evolutionary biologist Aoife McLysaght, voiced by Sinead Cusack. Supported by the Wellcome Trust and the Arts Council, Evolvaphone allows voices to be combined and to evolve according to Darwinian principles, and is being launched to coincide with the 150th anniversary of On the Origin of Species.

Limited tickets are available to Science Gallery members.

Http://www.sciencegallery.com/events

 

Celebrating all thing small November 20, 2009

Deadly tentacle of a Portuguese man-of-war stands out as a delicate pink ribbon containing toxin-filled beads. Alvaro Migotto

I thought I’d posted on this already, but there are SO MANY small photo competitions these days…sheesh! Small is big, or something:

10 Scientific American Magazine Bioscapes Photo Contest Winners Revealed: A gallery of images captured by light microscopy reveals the high art of the natural world

We are approaching the millennial anniversary of the first meaningful written description of how lenses and light could be used to magnify objects. It was in 1011 that Arab scientist Ibn al-Haytham (Alhazen) began writing the Book of Optics, which described the properties of a magnifying glass, principles that later led to the invention of the microscope. The entrants in the 2009 Olympus BioScapes Digital Imaging Competition provide fitting tribute to nearly 1,000 years of making the invisible visible.

Optical microscopy, energized by generation after generation of technological advance, continues to furnish dazzling proof that beyond the resolution of the human eye resides a sweepingly large world of small things, both around and within us. The artistic beauty of the microcosm can be witnessed in these photographs of the beadlike band of toxin-carrying compartments on the tentacle of the Portuguese man-of-war, the gemlike quality of row on row of single-celled algae and the red-and-yellow patterning of a Triceratops bone, reminiscent of a loud necktie. A selection of winning and honorable mention images that particularly appealed to us at Scientific American follows.

View Top Ten Winners Slideshow

 

Global living November 19, 2009

Not global in the world sense, but in the circular sense:

Buckminster Fuller’s geodesic domes have reached new heights: as tree houses for the rich and famous. Arboreal architect Dustin Feider is installing them all over the Los Angeles area. Producer and writer Mark Levin has two in his backyard. The LA County Museum of Art has exhibited one. And the nest shown here belongs to Doors guitarist Robby Kreiger. “There’s way more business in California,” says 26-year-old Feider, a Wisconsin native who landed in LA last year. “There are a lot of creative people — with a lot of money.”

He chose the geodesic shape for his constructions, which average $20,000 and 1,500 pounds, because it requires minimal material for great strength; the wooden polygons distribute stress across the entire structure. And lucky for the dome’s leafy host, Feider uses a cable suspension system to hang the orbs without drilling a single hole in the trunk or branches. “The house moves with the tree,” he explains, “like a boat in water.”

Kreiger says he wanted a dome so he could sit in it at dusk and watch the wild critters scurrying through the canyon below, “to see them without being seen.” Luckily, LA’s fauna appears to be unfazed by giant floating buckyballs.

Read original post.

 

Origami DNA November 13, 2009

Filed under: architecture, biology — scientiste @ 9:04 am
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Origami pattern by Thoki Yenn.

Oldie but goodie from SEED Magazine:

With a few strands of nucleic acids and some ingenious programming, DNA origami is remaking nanotechnology, from drug delivery to chip design.

A smiley face glowed on the March 16, 2006, cover of Nature. “DNA Origami,” read the headline. “Nanoscale Shapes the Easy Way.” Inside, a relatively brief, single-author paper outlined a method for designing shapes made from DNA that would fold up on their own. The smiling prototype and the playful cover line may have been cute. But the changes the paper brought to a number of far-flung fields were nothing short of profound: Tiny, self-assembling structures, with applications in everything from biology to chip design, were now within our grasp.

Three years later, the research sparked by this breakthrough has just begun to bear fruit, as evidenced by a flurry of papers this summer. Caltech’s Paul Rothemund, the author of the Nature paper, and his collaborators at IBM published a way to fasten DNA origami to microchip materials. William Shih at Harvard led a team that developed three-dimensional shapes and curving structures, among many refinements to the technique. And Jørgen Kjems of Denmark’s Aarhus University published a method to build miniature boxes, equipped with multiple locks and molecules that glow red and green. As it turned out, everyone from cell biologists to drug delivery experts to materials scientists had been looking for just such a way to build.

Read full article